The Name and Nature of Tragicomedy

The Name and Nature of Tragicomedy

Author: Verna A. Foster

Publisher: Routledge

ISBN: 9781351885348

Page: 232

Download BOOK

A transitional chapter addresses cognate genres. The final section of the book focuses on modern tragicomedies by Ibsen, Chekhov, Synge, O'Casey, Williams, Ionesco, Beckett and Pinter.

Focusing on European tragicomedy from the early modern period to the theatre of the absurd, Verna Foster here argues for the independence of tragicomedy as a genre that perceives and communicates human experience differently from the various forms of tragedy, comedy, and the drame (serious drama that is neither comic nor tragic). Foster posits that, in the sense of the dramaturgical and emotional fusion of tragic and comic elements to create a distinguishable new genre, tragicomedy has emerged only twice in the history of drama. She argues that tragicomedy first emerged and was controversial in the Renaissance; and that it has in modern times replaced tragedy itself as the most serious and moving of all dramatic genres. In the first section of the book, the author analyzes the name 'tragicomedy' and the genre's problems of identity; then goes on to explore early modern tragicomedies by Shakespeare, Beaumont and Fletcher, and Massinger. A transitional chapter addresses cognate genres. The final section of the book focuses on modern tragicomedies by Ibsen, Chekhov, Synge, O'Casey, Williams, Ionesco, Beckett and Pinter. By exploring dramaturgical similarities between early modern and modern tragicomedies, Foster demonstrates the persistence of tragicomedy's generic markers and provides a more precise conceptual framework for the genre than has so far been available.



More Books:

The Name and Nature of Tragicomedy
Language: en
Pages: 232
Authors: Verna A. Foster
Categories: Literary Criticism
Type: BOOK - Published: 2017-03-02 - Publisher: Routledge

Focusing on European tragicomedy from the early modern period to the theatre of the absurd, Verna Foster here argues for the independence of tragicomedy as a genre that perceives and communicates human experience differently from the various forms of tragedy, comedy, and the drame (serious drama that is neither comic
Tragicomedy and Novelistic Discourse in Celestina
Language: en
Pages: 143
Authors: Dorothy Sherman Severin
Categories: Literary Criticism
Type: BOOK - Published: 1989-06 - Publisher: Cambridge University Press

An investigation by Dorothy Sherman Severin of the importance of Rojas' Celestina as a precursor to the modern novel.
Early Modern Tragicomedy
Language: en
Pages: 216
Authors: Subha Mukherji, Raphael Lyne
Categories: Literary Criticism
Type: BOOK - Published: 2007 - Publisher: DS Brewer

Fresh explorations of the tragicomic drama, setting the familiar plays of Shakespeare and his contemporaries alongside Irish and European drama.
Tragicomedy and Contemporary Culture
Language: en
Pages: 170
Authors: John Orr
Categories: Social Science
Type: BOOK - Published: 1991-09-23 - Publisher: Palgrave Macmillan

This study examines the historical relationship between tragicomedy in the modernist theatre and the performative culture of Western consumer societies. While discussing a wide range of playwrights, it focusses specifically on the work of Samuel Beckett, Harold Pinter and Sam Shepard. Their plays, it is argued, illuminate the forms of
Tragicomedy; Its Origin and Development in Italy, France, and England
Language: en
Pages: 331
Authors: Marvin Theodore Herrick
Categories: Tragicomedy
Type: BOOK - Published: 1955 - Publisher: Urbana, U. of Illinois P

Books about Tragicomedy; Its Origin and Development in Italy, France, and England